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Egyptian patterns (scarabs, eye of Horus, lotus flowers, pyramids, Ancient Deities, palmettes, obelisks, hieroglyphs…) seduced Art Deco jewellers namely Cartier and Cleef & Arpels. There was a growing interest for Ancient Egypt with the discovery by Howard Carter of the tomb of Tutankhamen in the Valley of the Kings in Egypt, in November 1922. Pierre Cartier wrote in 1923 that “the discovery of the tomb will bring some sweeping changes in fashion jewelry.” In 1924, the bust of Nefertiti was exposed in Berlin.
Bright colours and contrasts were praised such as the combination of lapis lazuli, cornelian, gold and turquoise. New calibre cut coloured gemstones appeared with the Egyptian revival during the Art Deco period. Intricate patterns of nature needed new calibre cuts. Jewellers incorporated archaeological artefacts to their Egyptian revival jewels (Cartier boxes).


















































India influenced Art Deco jewelers, especially Jacques Cartier. Three days after the exhibition of 1925, Maharadjas came to Paris with their colorful gemstones (sapphires, rubies, emeralds…). They wanted to mount these stones into platinum with griffes. Besides, jewelers used traditional Indian techniques such as Kundan. They added Indian designs and elements into broochs, necklaces and hair ornaments. For example, the Sarpeh (” feathered and jeweled piece worn by noblemen on their turbans”) was added into an Art Deco jewel.

Inspired by India, Jacques Cartier used a blend of colored gemstones (rubis, sapphires and emeralds) to create “tutti frutti” jewels, representing leaves and flowers.








Islamic Art was also an influence. Islamic patterns (flowers, plants, geometric patterns, fountain, cypress trees, birds, garden, “jardinières”…) and oriental stylised forms (arabesques…) were used by Art Deco jewelers (Van Cleef and Arpels, Tiffany & Co., Mauboussin, Boucheron…) but especially Jacques Cartier. Colorful gemstones were associated with jade or lapis lazuli. Turquoise was also often used ; Muslims believed it was a stone protecting from evil. The association of blue and green was popular. Persian carpets with exquisite flowers were an inspiration.






















































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